INFO : Statement 





KURT F. WILSON
kurtw@uoregon.edu
Instagram

My practice as an artist, as a designer, is all about distinctions. Making critical distinctions about my choices as an artist and, furthermore, as a person is of most importance to me. While Use Value judgements are important to things that I make, it's important that I don’t judge myself as an artist for how useful and beautiful my objects turn out. This distinction allows me to continue to make, to learn, and to document my progress as an artist outside of the confines of self-judgment. 


Although lots of my objects lack traditional ornamentation, they seek to create visual diversity within a space, either through lighting or gathering.


And while I do often depart from visual themes of past works, I need to credit them for being the stepping stones of my practice as an artist. 


The ‘anonymity’ of my objects will hopefully allow them to be widely accepted into people’s homes and gathering spaces, but the materiality and craft of my creations must forge a dialogue between the user and myself. 


This connection is what will make my objects valuable. Not fiscally, but interpersonally. 


These distinctions are what drive my creative process. 


CONTACT

510.833.1165
CV 





Education
University of Oregon (2022-26)
 - Bachelor of Arts

Piedmont High School (2018-2022)  




    Employment Industrial Ceramics Apprentice
ServiceWorks via Brian Gillis
 May-Sept.2025

Barback
Marche Restaurant Group
 July.2025-Jan.2026

Catering Staff
Paula LeDuc Fine Catering & Events
 Mar-Sept.2024

Cashier
Ace Hardware
 June-Sept.2023

Delivery Driver
Pizza Matador Oakland
 July.2021-Sept.2022




RefferencesBrian Gillis
Professor, Ceramics Coordinator
Email: bgillis@uoregon.edu
Office: 203 Northsite B, 5232 University Of Oregon, Eugene OR 97403-5232
Research Interests: Ceramics
Website: http://gillislab.com/Curriculum Vitae



Skills
Slip Casting
CAD Modeling
Mold-making
Production Model Creation
Ideation Sketching
Technical Drawing
Surfacing
Glazing
Communication
Process Photography
Tableware Design
Tableware Production
Lightfixture Design
Lightfixture Production
Co-op Skills


Exhibitions

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Awards

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Press
                

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Last Updated 24.10.31
WORK





 

1. Industrial Ceramics Aprenticeship ; 2025


Production Assisant in ServiceWorks Proposal for a Low-Batch Tableware Production Methodology


project details:

https://ourglasscapacity.org/#/made-in-/
 





2. Tea Service Set ; 2026
Slip cast porcelain, underglaze,glaze, misc. stainless steel hardware

This project came from a love for tea, and a desire to challenge my abilities in slip casting, surfacing, and ceramic construction. In a series of about a dozen vessels, this stackable three piece set was the most sucsessful in terms of form, and function. 





3. Architects’ Task Lamp ; 2025
Slip cast porcelain, ash, electrical fixture, misc. hardware

This task lamp was a personal project inspired by my fathers practice as an architect, and the time spent at ones desk on any given project. The shade is slip cast bisqueware and the arm and base are constucted of ash. 





4. Pendant Light ; 2025
Slip cast porcelain, electrical fixture, douglass fir, misc. hardware

This project was my first foray into light fixture design, and a newer moldmaking process that allows me to get some degree of partical allignment with a giffin grip and a perfectly round, centered mold. 




  5. Graduated Sculptures and Vessels ; 2025slip cast porcelain, unglazed

This Project followed my Task Lamp, Tea Light, and Pendant Light project from Early fall 2025. I sought to experiment with combining the raw form and facture of the existing molds to create more dynamic vessels and sculptural vases. I could afford to make these pieces because of the coordination of their draft angles and opening diameters. 

© CARGO TEST 2027